The Close Encounters model hides a universe of inside jokes.

Visitors to the National Air and Space Museum’s Steven F. Udvar-Hazy Center can see one of cinema’s most famous spaceships: a huge model of the alien mothership that appeared in Steven Spielberg’s Close Encounters of the Third Kind, which was released in 1977. Designed by Greg Jein, the model was crafted to convey a floating city, incorporating a level of detail distinct from the “pointy rockets and the undifferentiated flying saucers” in older science fiction films, “which didn’t have a clear vision of what the parts did or how they worked,” says Margaret Weitekamp, who curates the Museum’s social and cultural history of spaceflight collection. To achieve an impression of working complexity, modelers utilized a technique known as kit bashing—repurposing “bits and pieces and parts from existing model kits,” such as light poles from train sets, says Weitekamp. 

Beyond technical realism, the model is famous for its hidden inside jokes. Nestled among the pinpricks of light are whimsical “Easter eggs” that can only be seen close up.

Tiny hidden models

 


This article is from the Spring 2026 issue of Air & Space Quarterly, the National Air and Space Museum's signature magazine that explores topics in aviation and space, from the earliest moments of flight to today. Explore the full issue.

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